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Albrecht Durer The Willow mills on the pegnitz oil painting


The Willow mills on the pegnitz
Painting ID::  42233
Albrecht Durer
The Willow mills on the pegnitz
mk168 watercolor and tempera on paper 251x367cm

   
   
     

Albrecht Durer The Wire-Drawing Mill on the pegnita oil painting


The Wire-Drawing Mill on the pegnita
Painting ID::  42234
Albrecht Durer
The Wire-Drawing Mill on the pegnita
mk168 Silverpoint on prepared paper 151x228mm

   
   
     

Albrecht Durer The covered Footbridge at the haller Gate in Nuremberg oil painting


The covered Footbridge at the haller Gate in Nuremberg
Painting ID::  42235
Albrecht Durer
The covered Footbridge at the haller Gate in Nuremberg
mk168 Pen and ink on paper with touches of watercolor 160x323mm

   
   
     

Albrecht Durer Emperor charlemagne oil painting


Emperor charlemagne
Painting ID::  42236
Albrecht Durer
Emperor charlemagne
mk168 215x115.3cm oil on lindenwood

   
   
     

Albrecht Durer Emperor charlemagne oil painting


Emperor charlemagne
Painting ID::  42237
Albrecht Durer
Emperor charlemagne
mk168 Oil on canvas 85x65cm

   
   
     

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     Albrecht Durer
     b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

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     | LIEFERINXE, Josse | frederic chopin | Abraham Mignon |


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